Listen to 'Comin' Over Here', taken from 'Access Denied' album available (vinyl, cd)👉
https://smarturl.it/ADFAcessDenied
♦︎"Access Denied DELUXE" vinyl 👉🏽 https://www.xrayproduction.com/en/produit/asian-dub-foundation-access-denied-deluxe-vinyl
♦︎"Comin' Over Here Ft Stewart Lee" vinyl 👉🏽 https://www.xrayproduction.com/en/produit/asian-dub-foundation-stewart-lee-cominover-here-vinyl
♦︎"Access Denied DELUXE" cd 👉🏽 https://www.xrayproduction.com/en/produit/asian-dub-foundation-access-denied-cd-2
🚌 ADF On Tour 👉🏽 https://linktr.ee/asiandubfoundation
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♦︎ ADF Discography / Merchandising available 👉🏽 https://www.xrayproduction.com/en/categorie-produit/artists/asian-dub-foundation-en
LYRICS :
Come over here anglo saxons learn to speak the fuckin language
And I do appreciate that I will now look like the worst kind of BBC liberal apologist idiot
If you’re all sitting at home watching this dubbed into Bulgarian
Here they are coming over here
We’ve seen it all before haven’t we
Ten years go with the Poles people going “bloody Poles”
“Bloody Poles” coming over here being all Polish and mending everything
Coming over here fixing all the stuff we’ve broken and too illiterate
To read the instructions for doing it better than us in a second language
“Bloody Poles” coming over here
“Bloody Poles” coming over here
When I was a kid 40-45 years ago it was the Indians wasn’t it bloody Indians
Coming over here Pakistanis and Indians Coming over here
Inventing us a national cuisine
And before them in the 5th century it was the Anglo Saxons
Bloody Anglo Saxons coming over here from Northern Continental Europe
With their inlaid jewellery and their ship burial traditions
And their miserable epic poetry
You come over here anglo saxons learn to speak the fuckin language
Bloody Anglo saxons and laying down the basis of our entire language and culture
Come over here anglo saxons learn to speak the fuckin language
🇬🇧Asian Dub Foundation are a genre unto themselves. Their unique combination of tough jungle rhythms, dub bass lines and wild guitar overlaid by references to their South Asian roots and militant high-speed rap has established them as one of the best live bands. During their long and productive career Asian Dub Foundation have shared the stage with the likes of Rage Against The Machine, the Beastie Boys and Primal Scream also collaborating on record with the likes of Radiohead, Sinead O’ Connor, Iggy Pop and Chuck D.
The story began in the 90’s when ADF formed from a music workshop in East London at the institution which is their spiritual home, Community Music. Their unique beginnings in a music workshop marked out both their sound and their wider educational aspirations, as showed by their early involvements with Roma Youth in Budapest, hooking up with the legendary Afro Reggae in the favelas of Rio, and setting up their own education organisation ADF Education (ADFED), not to mention their campaigns on behalf of those suffering miscarriages of justice. Building a solid live reputation in the mid-90’s, particularly in France, they eventually established themselves as an important worldwide force and particularly as an explosive alternative to the backward-looking obsession with Britpop in the UK.
In addition to their blistering live reputation ADF were one of the first bands to experiment with the now more commonplace live film re-score, beginning with their rapturously-received interpretation of La Haine back in in 2001. They’ve continued to perform said project or nearly two decades, taking in David Bowie’s Meltdown at London’s South Bank and a controversial show at the Broadwater Farm Estate, scene of the events that led to the London Riots of 2011.They’ve also rescored George Lucas’ debut THX 1138 (with encouragement from Mr. Lucas himself) and they’ve recently revived their explosive live interpretation to the continually relevant Battle of Algiers at the Museum of Immigration in Paris.
It was a busy 2019 for Asian Dub Foundation with the long-awaited reissue of their Mercury Prize-nominated 1998 classic Rafi’s Revenge. The reissue garnered ecstatic reviews, all of which agreed that the sound and the message that ADF threw down in 98 is as relevant now as it was then-perhaps even more so. So it’s timely that in 2020 the band are set to release their 9th album “Access Denied” which finds them as uncompromising as ever. The album showcases ADF in full spectrum mode from the tough Jungle Punk sound of “Stealing The Future” and “Mindlock” through to the orchestral meditation of “Realignment” and the reggae lament of the title track. With guestspots from Greta Thunberg, 47 Soul, Chilean revolt’s rap main figure Ana Tijoux and radical UK comedian Stewart Lee, Asian Dub Foundation continue their sonic opposition to the powers that be and “Access Denied” kicks harder and higher than ever
#AsianDubFoundation #CominOverHere #StewartLee
Come over here anglo saxons learn to speak the fuckin languageAnd I do appreciate that I will now look like the worst kind of BBC liberal apologist idiot
If you’re all sitting at home watching this dubbed into Bulgarian
Here they are coming over here
We’ve seen it all before haven’t we
Ten years go with the Poles people going “bloody Poles”
“Bloody Poles” coming over here being all Polish and mending everything
Coming over here fixing all the stuff we’ve broken and too illiterate
To read the instructions for doing it better than us in a secondlanguage
“Bloody Poles” coming over here
“Bloody Poles” coming over here
When I was a kid 40-45 years ago it was the Indians wasn’t it bloody Indians
Coming over here Pakistanis and Indians Coming over here
Inventing us a national cuisine
And before them in the 5th century it was the Anglo Saxons
Bloody Anglo Saxons coming over here from Northern Continental Europe
With their inlaid jewellery and their shit burial traditions
And their miserable epic poetry
You come over here Anglo Saxons learn to speak the fuckin language
Bloody Anglo Saxons and laying down the basis of our entire languageand culture
Come over here Anglo Saxons learn to speak the fuckin language
Stewart Lee’s documentary King Rocker came out the same year as this collaboration. I think he was always into the British music scene, but he has made it a bigger part of his life recently.