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Joined 1 year ago
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Cake day: July 9th, 2023

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  • LTT is tech content like Donut media is Automotive content. It’s edutainment at most.

    I find it funny the amount of hate that LTT gets, it’s niche entertainment and you can watch it absolutely free anywhere in the world and Linus rejected a 9 figure sum to keep ownership of something he built, say that out loud… “He turned down over $100,000,000.” Yes they flog merch and have floatplane and all that bullshit but that’s how they stay independent.

    You can take Donut and Motortrend as examples of how it all goes to shit. MT were YT only, then moved to their own paid streaming platform, then sold out to a network and told all their international subscribers to kick rocks because the network deal was more money.

    Or the Donut route, where you get bought by venture capital who suck all the fun out of the job, try to monetise everything and wind up having all the talent leave and go start their own channels because they took a fun job and just made it a job.








  • To give an alternative perspective.

    Dua Lipa “Levitating” has made 3.4 Million dollars on streaming revenue. Blinding Lights by The Weeknd is over double that.

    Then the real success stories are the Indies. Run the Jewels only have 1.2 Billion streams but that 2 million dollars is their 2 million dollars.

    Its peanuts per stream but anyone anywhere in the world can be a fan and show their support by ordering an overpriced Tshirt from the website.



  • You are right.

    You get paid jack shit for streaming. You also got paid jack shit for radio play. The flip side to all this is It has never been easier for an artist to manage their own career.

    Not that long ago if you didnt sign onto the multi-billion dollar a year label who took an obscene amount of the money (google a 360 deal if you want to get real mad) nobody heard your shit ever. But you can also form your own label, make your own merch, do your own socials, promo yourself and keep 100% of what you make.